The Artist Behind the Legend: Thomas Nast and Santa Claus
The Artist Behind the Legend: Thomas Nast and Santa Claus

When drawing his famous Santa image for Harper’s Weekly, Thomas Nast looked to the description of Santa from A Visit From St. Nicholas, 1822 by Clement Clark Moore. In the poem, which begins with the iconic line “T’was the night before Christmas,” Moore described Santa as having a “beard of his chin was as white as the snow” and “a broad face and a little round belly, that shook when he laughed, like a bowlful of jelly.” Images of Santa prior to this often showed him beardless and slim.
In drawing the folklore character, Nast looked to his own German heritage for inspiration. His Santa is wearing a suit made of fur, albeit in a bright red color, that is trimmed in white fur and belted with a wide black leather belt. Nast even showed Santa filling the stockings that children have left hanging on the fireplace…a German Christmas tradition.
Between 1863 and 1886, Thomas Nast drew 32 Santa illustrations for Harper’s Weekly that cemented the public’s visualization of the benevolent Christmas saint. In fact, the 1881 full page, color depiction of Santa from the magazine is widely praised as ‘Santa’s official portrait.’ In all of Nast’s Santa illustrations, we can find the key aspects of the universal Santa…red suit, white beard, pudgy physique, boots, and belt.
In the 1870s and 1880s, the idea of mailing Christmas cards to loved ones was a fairly new idea. Christmas card manufacturers adopted Nast’s Santa drawings…or had their own artists draw up similar Santas…to adorn the cover of Christmas cards.
Beginning in the 1920s, prolific painter, Norman Rockwell, started work for the Saturday Evening Post. Among the illustrations, he did for this publication were a number of Santa Claus drawings. Rockwell’s version of Santa relied heavily on Nast’s and continued his standardization of jolly old St. Nick. Rockwell’s Santa paintings have become iconic…setting the bar for other Santa artists to come.
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