Is this the world’s oldest work of art? Sequence of hand and footprints discovered on the Tibetan Plateau dates back up to 226,000 years — and may be 'prehistoric graffiti' left by children
Researchers believe they may have identified the oldest-known work of art — a sequence of five hand and footprints thought to date back up to 226,000 years.
According to researchers led from China's Guangzhou University, the impressions are at least 3–4 times older than the cave paintings of France, Indonesia and Spain.
Found in 2018 on a rocky outcrop in Quesang, on the Tibetan Plateau, the prints may have been 'prehistoric graffiti' left by young Denisovan children, the team have said.

Researchers believe they may have identified the oldest-known work of art — a sequence of five hand and footprints thought to date back up to 226,000 years. Pictured: the prints as seen when rendered in a three-dimensional scan of the surface in which they were left

According to researchers led from China's Guangzhou University, the impressions (pictured) are at least 3–4 times older than the cave paintings of France, Indonesia and Spain

Found in 2018 on a rocky outcrop (pictured) in Quesang, on the Tibetan Plateau, the prints may have been 'prehistoric graffiti' left by young Denisovan children, the team have said

It is not certain which species of humans made the prints — but Denisovans are a reasonable bet, given the finding of their skeletal remains elsewhere on the Tibetan plateau. Pictured: an artist's impression of a young Denisovan
To help with the question of whether the prints constituted art, the team turned to archaeologist Thomas Urban of New York's Cornell University, whose research has included a study of human footprint's in New Mexico's White Sands National Park.
The first clue, he explained, came from the fact that the prints were pressed into travertine — a form of terrestrial limestone that is deposited in the vicinity of hot springs — that would have then hardened gradually over time.
'It would have been a slippery, sloped surface,' noted Mr Urban.
'You wouldn’t really run across it. Somebody didn’t fall like that. So why create this arrangement of prints? There’s not a utilitarian explanation for these. So what are they?'
'My angle was, can we think of these as a creative behaviour, something distinctly human. The interesting side of this is that it’s so early.'
'These young kids saw this medium and intentionally altered it. We can only speculate beyond that.
'This could be a kind of performance, a live show — like, somebody says, "hey, look at me, I’ve made my handprints over these footprints." ' Further evidence for the deliberate nature of the impressions comes from the fact that the rock has preserved handprints at all — unlike footprints, these are rare in the fossil record of human ancestors.
According to the team, the presence of the handprints ties the Tibetan impressions to a long tradition of art involving the stencilling of hands of cave walls.
Dated to between 169,000–226,000 years ago, however, the Quesang art panel is much older than its more famous peers.
Art found on the Indonesian island of Sulawesi and in Spain's El Castillo cave, for example, date back to around 40,000–45,000 years ago, while the the Chauvet cave paintings of France are only some 30,000 years old.

'It would have been a slippery, sloped surface,' said researcher Thomas Urban of the surface into which the prints were pressed. 'You wouldn’t really run across it. Somebody didn’t fall like that. So why create this arrangement of prints? There’s not a utilitarian explanation for these.'

'My angle was, can we think of these as a creative behaviour, something distinctly human. The interesting side of this is that it’s so early,' said Mr Urban, who hails from Cornell University

'These young kids saw this medium and intentionally altered it. We can only speculate beyond that. This could be a kind of performance, a live show — like, somebody says, "hey, look at me, I’ve made my handprints over these footprints," ' Mr Urban said. Pictured: a scan of the rock
Of course, some connoisseurs might bristle at the very notion that the Quesang prints in and of themselves constitute art.
'Different camps have specific definitions of art that prioritize various criteria,' Mr Urban commented.
He continued: 'But I would like to transcend that and say there can be limitations imposed by these strict categories that might inhibit us from thinking more broadly about creative behaviour.
'I think we can make a solid case that this is not utilitarian behaviour. There’s something playful, creative, possibly symbolic about this.
'This gets at a very fundamental question of what it actually means to be human.'

Further evidence for the deliberate nature of the impressions comes from the fact that the rock has preserved handprints at all — unlike footprints, these are rare in the fossil record of human ancestors. Pictured: one of the footprints from the Tibetan art panel

According to the team, the presence of the handprints ties the Tibetan impressions to a long tradition of art involving the stencilling of hands of cave walls. Dated to between 169,000–226,000 years ago, however, the art panel from Quesang is much older than its peers
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